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Japan: A double bust portrait showing the courtesans Takigawa and Hanaogi from the Yoshiwara house Ogaya. Woodblock print by Kikukawa Eizan (1787-1867), 1808. Kikukawa Eizan was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school. He then studied with Suzuki Nanrei (1775–1844), an artist of the Shijō school. He is believed to have also studied with the ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women in the 1830s, but then abandoned printmaking in favor of painting.
Kikukawa Eizan (菊川 英山, 1787 - July 17, 1867) was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor painter of the Kanō school. He then studied with Suzuki Nanrei (1775–1844), an artist of the Shijō school.<br/><br/>He is believed to have also studied with the ukiyo-e artist Totoya Hokkei (1790–1850). He produced numerous woodblock prints of beautiful women in the 1830s, but then abandoned printmaking in favor of painting.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.